The graffiti-covered Berlin Wall section given to Microsoft by
Daimler-Benz AG will join nearly 2,000 other works in the Microsoft Art
Collection. However, if you customarily think of graffiti as little more
than urban vandalism, you may be wondering, "Is this art?"
In the case of the Berlin Wall,
the graffiti was often painted on it as an expression of protest against
the Stalinist East German regime that built it. The graffiti became a way
to symbolically breach the Wall and to challenge its legitimacy. The wall
attracted artists – unknown and well-known, German and non-German – whose
efforts ranged from scribbled words to complex compositions and even
large-scale murals.
The art was transitory, however. The Wall stood on East German
land, and technically the West side of the Wall was East German property,
and the East German authorities ordered it "whitewashed" from time to
time, essentially creating fresh canvas for new artistic endeavors. As new
graffiti replaced the over painting, the Wall became a dynamic focal point
for the visual expression of the cultural, social and political divisions
between East and West. It became an ever-changing, open and participatory
museum of, yes – art.
Regarding the Microsoft section
of the Wall, colorful graffiti appear on both the East and West sides. On
the West side we see brightly colored, spray-painted graffiti of the type
seen in many urban areas. While it is difficult to tell without the
context of adjacent sections what sort of larger artwork this graffiti
might have belonged to, it is nevertheless a richly colored, energetic and
tightly-composed abstraction – a collage of urban graphic gestures.
But it is the graffiti on the East side of the Microsoft Wall
section that may well prove to be the most intriguing for viewers. A
multicolored rainbow and the word "Happy" rise above a collection of
sparely drawn images, among which are flowers, a teddy bear, and a man
wearing a beret. Almost certainly these pleasant images were painted after
the Wall was opened in 1989 and before it was actually taken down, and
it’s reasonable to speculate that they were painted to celebrate the
momentous opening. But the idea that such cheerful imagery found its way
to the East side of the Wall is an intriguing contrast with the typical
Western view of the former East Germany as a bleak, oppressive and
decidedly unhappy place.
And what happened to the rest of the wall? Except for a small
section preserved in place as a memorial, the Berlin Wall is now gone –
built by the East but largely disposed of by the West. Bits were broken
off and kept for souvenirs or sold by entrepreneurs, and large sections
were sold or given to museums. History was suddenly transformed into
currency, traded and distributed. In central Berlin, in place of the Wall
near Potsdamer Platz, rises an ambitious new multifaceted development
incorporating business, residential and entertainment facilities, a symbol
of revitalization and optimism for the newly unified Berlin. But the
people of the former East and West Germany are still in the process of
adjusting to reunification, and it may be a generation or so before we’ll
know whether the optimism suggested by the image of the rainbow and the
new Potsdamer Platz is fulfilled.