Time of Day, Quality of Light: Isla de Pescado Cacti
Follow Art Wolfe to the Bolivian high plains. Learn how he uses extreme light to create amazing works of art.
Exposure: Andean Flamingoes
See how Art uses depth of field, cable release, and aperture reading to capture flamingoes on the Bolivian high plains.
Still Images from Tip Videos
Cereus cacti, Isla de Pescado, Salar de Uyuni, Altiplano, Bolivia
Settings for still image
- Canon EOS 5D, 24-70mm 2.8L IS lens, polarizer, F/22 at 1/40 second, ISO 100
Cereus cacti, Isla de Pescado, Salar de Uyuni, Altiplano, Bolivia
Settings for still image
- Canon EOS-1N, Canon EF 17-35mm lens, polarizer, 2-stop neutral density filter, 17mm, F/22 at 1/2 second, Fujichrome Velvia film
Cereus cacti, Isla de Pescado, Salar de Uyuni, Altiplano, Bolivia
Settings for still image
- Canon EOS-1N, Canon EF 17-35mm lens, polarizer, 2-stop neutral density filter, 17mm, F/8 at 2 second, Fujichrome Velvia film
Andean flamingoes, Laguna Colorada, Altiplano, Bolivia
Settings for still image
- Canon EOS 5D, 400mm F4.0 DO IS, 1.4x teleconverter, 1/250 second, F/18
Time of Day, Quality of Light, and Exposure
(from Episode 101)
Icebergs and Wet Weather Shooting
(from Episode 102)
Argentine Gray Fox and Condors
(from Episode 103)
Macro View of Beach Kelp and Mother Bear and Cub
(from Episode 104)
Reviewing Caribou Shots in the Field and Macro of a Bird's Nest
(from Episode 106)
Boa and Coral Snake
(from Episode 107)
Favorite Lenses and Workflow and Equipment Set Up
(from Episode 108)
